Second Sight: An Editor's Talks on Writing, Revising, and Publishing Books for Children and Young Adults
by Cheryl B. Klein
“An editor's masterclass in transforming a manuscript by revealing the invisible architecture of plot, character, and emotional truth.”
Key Takeaways
- 1Define your story's emotional heart through conflict and desire. A narrative's power derives from the protagonist's core compulsion and the central lack or mystery that propels the plot forward.
- 2Analyze your manuscript through the quartet of point, character, plot, and voice. These four pillars form the essential framework of a novel; each must be developed and interrogated independently and in concert.
- 3Employ concrete revision techniques and diagnostic worksheets. Practical tools like character charts and plot maps provide a systematic method for deconstructing and strengthening a draft.
- 4Craft voice from the intersection of diction, detail, and psychology. A distinctive narrative voice emerges from the precise calibration of word choice, observed particulars, and a character's unique consciousness.
- 5Structure picture books around a compelling emotional journey. Successful picture book manuscripts marry a potent, relatable feeling with a simple, resonant narrative arc and purposeful page turns.
- 6Understand the editor's role as an architect and empathetic reader. A skilled editor acts as a book's structural engineer and its first ideal reader, diagnosing weaknesses to unlock its fullest potential.
- 7Master the query letter by demonstrating narrative stakes and voice. An effective query functions as a compelling sample of the manuscript's core conflict and its distinctive narrative personality.
Description
Second Sight demystifies the editorial process by offering a professional editor’s granular perspective on the craft of writing for young readers. Cheryl B. Klein, an editor at Arthur A. Levine Books, compiles years of conference talks and essays to provide a backstage pass to the decisions that shape a manuscript from promising draft to polished book. The work moves beyond abstract principles, grounding its advice in real-world examples from published works, including detailed analyses of series like Harry Potter to illustrate universal narrative mechanics.
The book’s core is a practical and philosophical exploration of a novel’s foundational elements: the narrative point, character interiority, plot architecture, and the alchemy of voice. Klein provides writers with a diagnostic toolkit—including worksheets and checklists—for isolating and repairing these components. She dedicates significant attention to the revision process, outlining twenty-five specific techniques for deepening character motivation, tightening plot logic, and sharpening prose.
While focused on children’s and young adult literature, the principles are universally applicable to fiction writing. The final sections address the professional realities of publishing, featuring annotated examples of successful and flawed query letters and insights into the author-editor relationship. The collection’s structure, drawn from independent talks, allows for targeted reading, though its cumulative effect is a comprehensive, layered understanding of narrative construction.
Second Sight serves as an advanced craft manual for the writer ready to move beyond basics. It is designed for those with a complete manuscript who seek the analytical rigor and ‘second sight’ of an editor to identify and solve structural problems, transforming their work with precision and intellectual care.
Community Verdict
The consensus positions this book as an indispensable, advanced craft resource, praised for its intellectual depth and practical utility. Reviewers consistently highlight Klein’s exceptional ability to deconstruct complex narrative concepts—like voice and emotional plotting—into actionable, layered frameworks supported by concrete examples from published works. The analytical rigor is celebrated for providing writers with the precise vocabulary and diagnostic tools to revise their own manuscripts with an editor’s eye.
Criticism is minor and centers on the book’s origins as a collection of independent talks, which leads to some conceptual repetition across chapters. A few readers note that the heavy reliance on examples from children’s and YA literature, particularly Harry Potter, may limit engagement for those unfamiliar with or disinterested in the genre. However, even these reviewers concede the underlying craft advice remains robust and transferable. The collective sentiment is one of profound appreciation for a work that fills a gap between introductory guides and lofty theoretical texts.
Hot Topics
- 1The exceptional value of Klein's concrete examples and real-world manuscript case studies in illustrating abstract writing principles.
- 2High praise for the systematic frameworks provided for understanding and crafting narrative voice, a typically elusive concept.
- 3The practical utility of the revision techniques, worksheets, and diagnostic tools for deconstructing a manuscript's plot and character.
- 4Debate over the book's structure, with some finding the repetitive nature of the compiled talks a minor flaw in an otherwise excellent resource.
- 5The book's effectiveness for writers outside its stated focus, as many find its narrative principles universally applicable to all fiction.
- 6Appreciation for the insightful analysis of popular works like Harry Potter to demonstrate successful plot and emotional architecture.
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